12th Edition India Art Festival Returns with a Spectacular Showcase of Creativity from Feb 8-11

Mumbai (Maharashtra) [India], February 9: Mumbai is all welcomed the 45 Art Galleries and 550 Artists for the 12th edition of India Art Festival hosted at the Nehru Centre in...

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February 9, 2024 • 5:09 PM
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12th Edition India Art Festival Returns with a Spectacular Showcase of Creativity from Feb 8-11
“12th Edition India Art Festival Returns with a Spectacular Showcase of Creativity from Feb 8-11”
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9 Feb 2024
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12th Edition India Art Festival Returns with a Spectacular Showcase of Creativity from Feb 8-11
12th Edition India Art Festival Returns with a Spectacular Showcase of Creativity from Feb 8-11

Mumbai (Maharashtra) [India], February 9: Mumbai is all welcomed the 45 Art Galleries and 550 Artists for the 12th edition of India Art Festival hosted at the Nehru Centre in Worli from February 8 to 11.  The edition of India Art Festival at Mumbai after the grand success of respective editions at Delhi and Bengaluru presents city art lovers with wide choices over 5000+ artworks in various styles, different mediums, and myriad subjects. For art enthusiasts and collectors alike, the India Art Festival 2024 is a celebration of diversity, creativity, and the timeless allure of artistic expression. The programme was inaugurated by Hon Mangal Prabhat Lodha. Guardian Minister of State, Maharashtra, Poetess- Philanthropist Manju Lodha, Atul Kulkarni, Kiiran Patel, Rupali Suri and Rozlyn Khan among others.

This year India Art Festival is offering not only a visual feast but also a multitude of fusion shows, live music performances, mesmerizing live painting demonstrations, and captivating film screenings. A standout feature of the event is the enlightening film “The Eternal Canvas – 12,000 Years Journey through Indian Art,” a cinematic exploration of India’s rich artistic heritage spanning millennia. This cinematic journey provides a sweeping overview of the evolution of Indian art, from prehistoric times to contemporary expressions.

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