And yes, as you were wondering, the numbers are out. With a first-weekend total of little more than ₹1 crore, the Monday numbers for the film plunged precipitously, attracting just ₹14 lakh. For a production of this size — allegedly budgeted at around ₹8–10 crore, including promotion — the path to commercial redemption appears steeper than the Himalayan ranges Yogi himself used to trek as a monk.
The movie follows Ajey Singh Bisht’s (later Yogi Adityanath) journey from a small-town boy in Uttarakhand to becoming the saffron-robed firebrand leader of Gorakhpur, and eventually, the Chief Minister of India’s most populous state. Director Paresh Rawal Jr. (not the veteran actor, though the coincidence sparks curiosity) attempts to stitch together a narrative that oscillates between Yogi’s austere spiritual beginnings and his meteoric rise in Indian politics.
The film itself, though, is frequently at a loss as to whether or not it wishes to heroise the man as a saint, depict him as a combustible political force, or merely chronicle his private agonies. The end result? A film that grazes everything but owns nothing.
Performances That Hold the Film Together
If there’s one saving grace here, it’s the cast. The actor portraying Yogi brings both gravitas and vulnerability, managing to balance silence with intensity. His transformation scenes — from the student activist days to the saffron-clad monk-politician — are executed with conviction. The supporting cast, including actors portraying Yogi’s early mentors and political rivals, offer solid performances that keep the narrative from derailing completely.
Critics and viewers have also commended the performances, although the script doesn’t always serve them right. Hindustan Times, for example, observed that the actors gave “good performances but struggled within a shaky narrative.
Box Office Blues
Let’s get real. Numbers don’t lie, even if reviews sometimes do. The film’s opening weekend gave it a modest push with over ₹1 crore, but the sharp dip to ₹14 lakh on Monday indicates that audience interest is already waning. Compare this with recent Bollywood releases like Jolly LLB 3 or Stree 2, both of which commanded steady weekday numbers, and the contrast is stark.
At this pace, even breaking even on the estimated ₹8–10 crore budget will be an uphill battle. Trade analysts are already predicting that unless some miracle happens (perhaps a surge in political interest before election season?), Ajeymay end up in the list of biopics that failed to set the cash registers ringing.
Audience & Critical Reception
Public opinion, as expected, is polarized. For supporters, the film is a heartfelt tribute to a leader who left his home to serve society. For critics, it’s little more than a politically motivated exercise that lacks cinematic subtlety. Social media has been buzzing with memes, some applauding the courage to make such a film, others questioning if it’s propaganda dressed as art.
Here’s a quick breakdown of reception so far:
| Category | Reaction Summary |
|---|
| Critics | Mixed to negative reviews, praise for acting but criticism for shallow writing |
| Audiences | Divided, with fans of Yogi Adityanath showing support while neutral viewers remain indifferent |
| Box Office | Weak numbers, dipping rapidly after opening weekend |
| Buzz Factor | Trending on Twitter/Instagram more for its subject matter than cinematic value |
What Works, What Doesn’t
Works:
Strong lead and supporting performances
Interesting premise — a monk turned political heavyweight is undeniably cinematic
Certain well-shot sequences, particularly those depicting Yogi’s ascetic life
Doesn’t Work:
A screenplay torn between reverence and realism
Lack of coherent storytelling
Box office numbers that spell trouble
A tendency to glorify rather than narrate, which alienates neutral audiences
The Bigger Picture
The film does highlight an interesting shift in Bollywood. Instead of sticking to safe biopics (cricketers, freedom fighters, musicians), filmmakers are venturing into more controversial and politically loaded territory. While that’s brave, it also means scrutiny is harsher, and box office risks are higher.
With election season looming, timing is everything. Some argue that Ajey could serve as subtle image-building ahead of political campaigns. Others insist that cinema should steer clear of blatant political coloring. Either way, the conversation around the movie has ensured it remains in the headlines, which — in today’s media landscape — might be half the battle won.
Final Word
Ajey: The Untold Story of a Yogi is ambitious but uneven. It’s a film that tries to straddle reverence and realism but often loses balance. While strong performances anchor it, the shallow screenplay and underwhelming box office performance raise doubts about its longevity.
Still, for anyone curious about the cinematic portrayal of one of India’s most talked-about politicians, the film is worth a watch — if only to join the debate. Love it or hate it, you won’t be able to ignore it. And in the end, isn’t that exactly what biopics are designed to do?
PNN News
