Movie Review: Bihu Attack — A Regional Backdrop Meets National Security Concerns
A gripping review of Bihu Attack, where Assamese culture collides with national security threats in a taut narrative.
Movie: Bihu Attack
Cast: Dev Menaria, Daisy Shah, Arbaaz Khan, Rahul Dev, Raza Murad, Yukti Kapoor, Amie Misobbah, Hiten Tejwani, Mir Sarwar, Amit Lekhwani
Director: Suzad Iqbal Khan
Producer: Prabir Kanta Saha
Duration: 2 hours 10 minutes
Censor: UA
Release Date: 16 January 2026
Rating: ⭐⭐⭐½
Director Suzad Iqbal Khan’s Bihu Attack explores the familiar terrain of terrorism and national security, but places it within the lesser-seen cultural setting of Assam. Rather than opting for a loud, action-heavy approach, the film maintains a restrained tone and attempts to blend regional identity with a serious political threat.
Story
The narrative revolves around Raj Kunwar (Dev Menaria), a court-martial officer from Assam who believes that long-term peace can only be achieved through reform and inclusion. Widowed and emotionally guarded, Raj balances his professional duties with the responsibility of raising his young daughter. His life is disrupted when intelligence agencies uncover a planned terrorist strike during the Bihu festival, coinciding with a high-profile visit by the Defence Minister.
As cross-border terrorist groups collaborate with local sleeper cells, Raj joins a high-pressure mission alongside the IB Chief (Arbaaz Khan) and paramilitary forces. The film gradually builds tension as the countdown to the festival begins.
Performances
Dev Menaria delivers a controlled performance, avoiding melodrama while portraying internal conflict. Arbaaz Khan lends credibility to his role as the IB Chief, while Daisy Shah’s presence is limited but purposeful. The supporting cast, including Rahul Dev, Raza Murad, Mir Sarwar, and Yukti Kapoor, add weight to the narrative, though several roles remain underexplored.
Direction and Technical Aspects
Suzad Iqbal Khan keeps the storytelling grounded, resisting the temptation to sensationalize the subject. The pacing occasionally falters, but the film maintains its seriousness. The background score is understated, and the absence of elaborate songs supports the film’s realistic approach.
Final Verdict
Bihu Attack may not cater to audiences seeking spectacle, but it stands out for its intent and regional authenticity. Despite its flaws, the film reflects a sincere effort to tell a relevant story—an effort that deserves recognition, especially since producer Prabir Kanta Saha backed this subject with courage.
